Intercultural Design

Week 1 - 7
Ng Zheng Kai 0359424
Intercultural Design / Bachelor of Design in Creative Media (hons)`
 Project 1, 2 & 3: Hanhaba Obi 


INSTRUCTIONS





A proposal to concretise ideas, supported by research, for a final design revolving a given theme that reflects students’ understanding and interpretation of global issues and design aesthetics.

The general theme is “Cultural Sensitivity in Design”
You are to study a cultural phenomenon, or a particular subculture that is perceived as ‘sensitive’, and “frame” your study within the chosen theme.
You are to convey this cultural aspect without altering the actual facts but within a presentable interpretation and adaptation that raises awareness from the viewers.
Produce some preliminary ideas on how to visually express you interpretation using design language. Each idea is to be supported by a short rationale. Conduct visual research to help expand your idea generation.


PROCESS

Proposal

For our initial idea, we wanted to modernize traditional Japanese kimonos and also incorporate it with the Maneki-Neko (Fortune Cat).

Fig 1.1 Maneki-Neko sketch made by groupmate Edita Chew En Thung


Then, we shifted our focus on kimono obi belts and making ways to simplify it.

Traditionally, there are several steps in tying the obi belt.

Fig 1.3 Kimono obi belt tying method
(https://www.pinterest.com/pin/443041682071550454/)

So our plan is to input hooks onto kimono obi belts so that it is more convenient for younger generations to wear and appreciate the culture.


Fig 1.4 Ideas for our Kimono obi belt sketch made by groupmate Edita Chew En Thung





Brand





Fig 1.5 Inspiration for stamps

Our kimono obi brand, takes inspiration from old Japanese stamps to evoke a sense of timeless elegance and tradition. 
Fig 1.5  : "MIYU"Branding made by Edita Chew En Thung

EXPLAIN MIYU
The silhouette of a lady represents grace and femininity, while the red and white colours reflect traditional Japanese themes of vitality and purity. The addition of a sakura flower on the lady's head symbolises beauty and renewal, capturing the essence of Japanese culture. Together, these elements form a logo that embodies sophistication and tradition, perfect for representing Miyu's brand identity.

Fig 1.6 Idea Proposal Slides

Research

During our research in Osaka and Kyoto, we have discovered that the Hanhaba Obi is the best candidate for our prototype as it is designed for casual and unisex wear.









Fig 1.7 Data Collection

INTERVIEWS

Osaka (Chiso/ Kawashima Orimono)





Kyoto (Nono Factory)




FINAL PRODUCT

Fig 1.8 Obi Belt Product Presentation

Fig 1.9 Obi Belt product presentation video


Fig 1.10 Final Data Collection


REFLECTION

Visiting Osaka and Kyoto to study the Kimono Obi belt was an eye-opening experience. As a design student passionate about learning Japanese culture, this trip allowed me to immerse myself in Japanese traditions while also challenging conventions through innovative design thinking. This trip provided ample opportunities to engage critically with the traditional Kimono Obi belt. By closely examining its design, historical significance, and practical usage, I gained a deeper understanding of its role in Japanese culture. Through sketches and diagrams, I was able to articulate my insights and envisioning potential improvements. Inspired by our research we made in Japan, we aimed to redesign the Obi belt to make it more practical while still respecting tradition, adding hooks seemed like a simple yet effective solution to enhance usability without sacrificing aesthetics. Collaborating with local experts in textile and kimono design, we explored various techniques and materials that would complement the traditional craftsmanship of the Kimono Obi belt. Overall, this journey taught me the importance of balancing tradition with innovation in design, and I hope my contribution will spark further conversations about preserving cultural heritage while embracing change.





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